Art, Cancer & Collaboration

2018–2024 · Continuing advocacy
By Erin McGee Ferrell

Erin McGee Ferrell holds a painted Ms. Mastectomy paper doll in her studio.
Erin McGee Ferrell with a Pirate Crew paper doll, March 21, 2019. Photograph: Brianna Soukup / Portland Press Herald. © 2019 Portland Press Herald.

My experience of cancer takes shape in paintings, paper dolls, poetry, and films. This work also includes collaborations with researchers and patient advocates.

Live painting in the chemotherapy treatment room

In 2018, an eight-week live-painting project brought my work into a chemotherapy treatment room at New England Cancer Specialists, with support from the Maine Arts Commission and Artist & Craftsman Supply. Live-painting project

Co-authored with Elizabeth J. Parks-Stamm, Artist Impact studied patients’ and staff members’ responses to live painting. Research publication, 2019

Pirate Crew Paper Dolls

Pirate Crew painted paper dolls and interchangeable pieces on Erin McGee Ferrell’s studio worktable — click to watch the Paper Doll Journey video.Pirate Crew Paper Doll Journey: Breast Cancer EducationWatch on YouTube ↗
Video cover: Pirate Crew Paper Dolls in progress, March 21, 2019. Photograph: Brianna Soukup / Portland Press Herald. © 2019 Portland Press Herald.
Ms. Mastectomy painted cutout with a white post-surgery garment, scars, red drains, and a blue patterned lower section.
Ms. Mastectomy, Pirate Crew Paper Dolls. Erin McGee Ferrell.
Painted paper dolls and interchangeable pieces arranged on Erin McGee Ferrell’s studio worktable.
Pirate Crew Paper Dolls in progress, March 21, 2019. Photograph: Brianna Soukup / Portland Press Herald. © 2019 Portland Press Herald.

My breast cancer diagnosis came after this project.

Pirate Crew Paper Dolls grew out of a team effort to help newly diagnosed patients understand treatment.

The dolls featured in my presentation at the National Organization for Arts in Health (NOAH) conference in Boston in 2019. Cancer advocacy profile, 2022

2019 poster credits: Erin McGee Ferrell, Elizabeth Parks-Stamm, Robyn Courtois-Colby, and Mary McCusker. The poster credits funding to New England Cancer Specialists and the Maine Arts Commission.

Chemotherapy, 2019: painted figure surrounded by treatment-related objects and handwritten annotations, with an artwork label below.
Chemotherapy, 2019. Ink on 300 lb cold press archival watercolor paper, 22 × 30 inches. Erin McGee Ferrell.

Poetry and the experience of treatment

Poems written during treatment became part of the paper-doll kits and The C Word exhibition.

Oophorectomy, 2019: painted sequence of the artist’s experience of surgery, with figures, arrows, and handwritten descriptions.
Oophorectomy, 2019. Erin McGee Ferrell.
Radiation, 2019: painted torso with radiating gold lines and washes of blue, pink, and green.
Radiation, 2019. Erin McGee Ferrell.

Collaborating with cancer researchers

Work with Pamela Winfrey introduced me to cancer researchers and patient advocacy. She created NCSA and The C Word. Pamela Winfrey’s projects

My April 2023 artist residency at Arizona State University involved collaboration with Dr. Carlo Maley and the Arizona Cancer Evolution Center.

Collaboration with Dr. Diana Murray at Columbia’s Center for Cancer Systems Therapeutics (CaST) in December 2023 continued with a return project in June 2024. UNE feature

My role as a founding member of Navigating Cancer with Science and Art (NCSA) began in 2022.

For DREAM-High, my Art, Cancer, and Vulnerability module uses Pirate Crew Paper Dolls.

The C Word exhibition

Collaboration with Pamela Winfrey on The C Word: Artists, Scientists, and Patients Respond to Cancer included helping develop the exhibition and contributing paintings and paper dolls.

Created after five months of treatment, Chemotherapy Roller Coaster uses more than 40 NFC tags to connect the painting to poetry, videos, interviews, and cancer-related art.

The work was exhibited in Phoenix and at Dartmouth Hitchcock Medical Center, where Marianne Barthel was art curator. Selections were also shown at Columbia University. Exhibition history

Exhibition support: Arizona Cancer Evolution Center, National Cancer Institute, Cancer Systems Biology Consortium, ASU Biodesign Institute, and the 850 Biomedical Building.

Cancer research advocacy

Work with National Cancer Institute research networks involves patient advocacy, presentations, and poster judging. Recognition includes a CSBC research poster award in 2020.

Service as a consumer reviewer for the Department of Defense’s Breast Cancer Research Program spans 2021–2022 and 2026.

My advocacy includes co-founding CA6: Cancer + Art + Advocacy in 2024 and leading ongoing paper-doll workshops, including at Gilda’s Club Kentuckiana.

Erin McGee Ferrell seated on her studio floor with her cat Milo, surrounded by paintings.
Erin McGee Ferrell and Milo in the studio, March 21, 2019. Photograph: Brianna Soukup / Portland Press Herald. © 2019 Portland Press Herald.

Barbie Has Cancer films, interviews, and coverage

The five Barbie Has Cancer stop-motion films explore diagnosis and treatment.

My YouTube channel · Watch the Barbie Has Cancer playlist

Additional films document the dolls’ development and my earlier chemotherapy-room project.

NEWS CENTER Maine: “Buddy to Buddy: Paper Dolls,” 2019

Podcast interviews:

Related coverage: National Coalition for Cancer Survivorship, “Erin McGee Ferrell: The Art of Cancer Advocacy”, May 5, 2022.

Research publication

Parks-Stamm, E. J., and Ferrell, E. M. (2019). Artist Impact: Effects of Live Art on Patients and Staff in an Outpatient Chemotherapy Treatment Environment. Clinical Journal of Oncology Nursing, 23(1), 92–96. DOI: . Read the research abstract on PubMed.

Selected cancer-related publications

  • A Healer While Healing, Maine Sunday Telegram, April 7, 2019.
  • National Organization for Arts in Health newsletter, Art in Chemo project feature, November 2018.
  • The Book of Arts: Cancer, Gallerium, 2021. Artwork reproduction.

People and institutions