Resiliency (2021) · 3:08

Stop-motion illustration by Erin McGee Ferrell, commissioned by Dr. Susan Wehry at the University of New England.

Recovery (2021) · 3:50

Part two of Erin McGee Ferrell’s stop-motion medical illustration collaboration with Dr. Susan Wehry at the University of New England.

Erin McGee Ferrell · Selected projects

Art & Science

Erin McGee Ferrell is a contemporary artist whose painting and interdisciplinary practice engage with biology, neuroscience, and the behavior of materials. Through cellular abstraction, temperature-responsive pigments, light, sound, and stop-motion animation, she explores how art can make unseen processes perceptible.

These selected projects bring together studio experimentation, medical illustration, and learning through collaboration—from natural pigments in Tena, Ecuador, to thermochromic workshops in Bahrain and AlUla, Saudi Arabia, and research illustration at the University of New England.

01 / Imagining the microscopic

Petri Dish Cell Series

Developed over a number of years, the Petri Dish series consists of large mixed-media paintings that imagine the view through a microscope into a Petri dish. Expanding cells, branching structures, and shifting edges transform an intimate biological scale into an immersive painted surface. This cellular art draws on the microscopic world as a starting point for abstraction and material exploration.

Frozen by Erin McGee Ferrell: gray, white, and dark cellular webs across a mixed-media painting on wood.
Frozen · Mixed media on wood · 30 × 40 in (76.2 × 101.6 cm)
Texas River, 2015, by Erin McGee Ferrell, an abstract mixed-media cell painting.
Texas River, 2015 · Mixed media · 36 × 36 in (91.4 × 91.4 cm)
Sea Grass by Erin McGee Ferrell, with dark vertical flowing forms against a pale field.
Sea Grass · Mixed media on canvas · 48 × 72 in (121.9 × 182.9 cm)
Mixed-media painting from Erin McGee Ferrell’s Petri Dish series, inspired by milkweed and cellular forms.
Petri Dish series · Milkweed exploration
Dark rounded cellular forms in a mixed-media painting from Erin McGee Ferrell’s Petri Dish series.
Petri Dish series · Selected cell painting
White and dark cellular circles floating across a gold and gray field in a Petri Dish painting.
Petri Dish series · River exploration
Gray, black, and white cellular networks in a square painting from the Petri Dish series.
Petri Dish series · Cellular study
Petri Dish paintings displayed together at RE/MAX Shoreline in Portland, Maine.
Petri Dish series · Installation at RE/MAX Shoreline, Portland, Maine

Selected exhibition history

  • Swanson Reed Contemporary Gallery, Louisville, Kentucky · February 2016
  • Wausau Museum of Contemporary Art, Wausau, Wisconsin · Inaugural exhibition, October 2017 · Honorable Mention
  • RE/MAX Shoreline, Portland, Maine

Art meets biology

Four pale cellular paintings mounted on wood, with silver NFC tags along the right edge, shown at Creative Portland.
White Blood Cells: Resilience · Installation view, Creative Portland, 2023

02 / Cells and sound

White Blood Cells

These paintings extend the exploration of cellular life into sound and moving images. Embedded NFC tags connect viewers to the sound of blood pumping through the body and to audio and video of white blood cells at work.

Some of the paintings debuted in Resilience at Creative Portland, Portland, Maine, in 2023. The exhibition ran from May through December.

The painted surface becomes an entry point into processes usually hidden from view.

03 / Color in motion

Thermochromic Color Exploration

Thermochromic pigments change color as temperature changes. Ferrell explores heat, cooling, and the warmth of sunlight as active elements in painting, allowing a composition’s colors to shift with its environment.

This experimentation informed paintings connected with the Formula 1 Grand Prix in Bahrain. She also taught workshops introducing thermochromic paints and pigments in Bahrain and at Turquoise Mountain in AlUla, Saudi Arabia.

Featured video

See thermochromic pigments in action

Watch Ferrell explore thermochromic pigments mixed with oil paint in this introduction to her color-changing paintings.

Two views of the same thermochromic painting: the original on the left and the painting after heating on the right, with yellow areas shifting toward orange and pale areas toward pink.
One painting, two temperature states. Left: original. Right: after heating. Thermochromic pigments · 24 × 48 in (61 × 121.9 cm).
Geometric painting with green, blue, yellow, white, and gray bands, from Erin McGee Ferrell’s thermochromic color exploration.
Thermochromic color exploration · Geometric painting
Formula 1 race car painting from Erin McGee Ferrell’s thermochromic experiments in Bahrain.
Thermochromic painting · Formula 1, Bahrain

Explore the Bahrain Formula 1 project · Painting and workshops in Saudi Arabia

More thermochromic pigment exploration

04 / Light held in paint

Bioluminescence

Inspired by bioluminescence in oceans and waterways, these paintings bring light-responsive powders into paint. The surfaces glow under black light and retain an afterglow once the light is switched off. Ferrell describes the glow as lasting approximately six hours after activation.

The work was showcased at the University of New England in a prominent gallery window. Illuminated by a black light, the painting could then be seen glowing from outside the gallery after the light was turned off.

At the University of New England

River to the Sea: UNE Faculty Exhibition 2022
October 7–December 16, 2022 · UNE Art Gallery, Biddeford, Maine

Four luminous green and blue paintings displayed under black lights at UNE Art Gallery in 2022.
Bioluminescence paintings under black light · UNE, 2022
Wide gallery view showing Erin McGee Ferrell’s four bioluminescence paintings in the River to the Sea exhibition at UNE.
River to the Sea · Gallery installation, 2022
View through the UNE gallery window with paintings and purple black-light fixtures visible inside.
Bioluminescence installation viewed through the gallery window · UNE, 2022

Selected paintings

Bioluminescence-inspired painting with luminous turquoise and yellow-green cellular forms and dark rounded centers.
Bioluminescence series · Black-light painting
Bioluminescence-inspired painting with pale yellow-green swirling forms across a blue-green field.
Bioluminescence series · Black-light painting
Bioluminescence-inspired painting with rounded yellow-green forms floating across a vivid turquoise surface.
Bioluminescence series · Black-light painting
Bioluminescence-inspired painting with deep turquoise, luminous yellow-green cellular forms, and dark rounded marks.
Bioluminescence series · Black-light painting
Bioluminescence-inspired painting with deep blue-green fields, pale speckles, and softly glowing circular forms.
Bioluminescence series · Selected painting

05 / Color from the forest

Painting with Amazonian Pigments

During her 2018 Ecuador project, Ferrell explored charcoal and natural pigments from Amazonian plants and rocks alongside locally sourced painting materials. Working in Tena, she experimented with how these colors behaved on prepared surfaces and handmade watercolor paper.

Ferrell studied with Elías Mamallacta Alvarado, a Kichwa painter whose practice draws on ancestral traditions and natural pigments from the Amazon forest. She also learned from women in Tena’s local marketplace how to create pigments from Amazonian plants and rocks.

This work continues her interest in painting as a form of artistic and scientific discovery: observing materials, trying unfamiliar processes, and following the possibilities of color.

The project connects with Amazon Learning / Amazon Learning Services in Tena, Ecuador, whose programs are now presented through Beyond Travels.

Explore the Ecuador project and proposed rooftop papermaking workshop

Natural pigment swatches on handmade paper, photographed during Erin McGee Ferrell’s learning in Tena, Ecuador.
Natural-pigment swatches on handmade paper · Tena, Ecuador

Watch Elías Mamallacta at work

A painting demonstration with natural pigments during Erin McGee Ferrell’s Ecuador project.
Learning through pigment demonstrations · Tena, Ecuador
A conversation about Amazonian pigments beside a handmade-paper notebook filled with color swatches.
Sharing knowledge of Amazonian pigments · Tena, Ecuador

06 / Illustrating neuroscience · 2021

Medical Illustration & Stop-Motion Collaboration at UNE

Commissioned by Dr. Susan Wehry, M.D., at the University of New England, Erin McGee Ferrell collaborated on illustrating Dr. Wehry’s research through two short educational films: Resiliency and Recovery.

Using simple illustrations and stop-motion animation, Ferrell made the amygdala’s role in the fight-or-flight response accessible through moving images. The two films explore resilience and recovery through this collaboration between art and medical research.

Dr. Susan Wehry is a geriatric psychiatrist and an Associate Clinical Professor in the Department of Geriatric Medicine at UNE’s College of Osteopathic Medicine. She also serves as Program Director of AgingME at UNE’s Center for Healthy Aging.

Art and animation: Erin McGee Ferrell
Commission: Dr. Susan Wehry · University of New England

Dr. Susan Wehry at UNE · Dr. Wehry’s work on resilience and aging

Related art and science projects

Watch both films below.